Adobe Production Studio: Deinterlacing Video for Progressive Output Philadelphia PA

Author Jan Ozer offers this simple lesson in deinterlacing video with Adobe Production Studio.

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Note: Our good friend Jan Ozer has just published a book on Adobe Production Studio (Adobe Digital Video How-Tos: 100 Essential Techniques with Adobe Production Studio) so we asked him if it had any great tips for online DV professionals. The following is one of five tips he let us reproduce from the book.

Tip 83: Deinterlacing Video for Progressive Output

Most video acquisition formats like DV and the 1080i HDV codec used by the Sony and Canon HDV cameras are interlaced formats that contain two fields for every frame, usually shot 1/60th of a second apart (1/50th for PAL). In contrast, most streaming formats are frame-based. To produce frame-based video from interlaced sources involves combining the two fields into a single frame, which can produce the artifacts shown at the top of Figure 83a.

Figure 83a The top frame sample is not deinterlaced; the bottom sample is.

To avoid artifacting and produce video more like the bottom of Figure 83a, you have to tell Premiere Pro to deinterlace the video. Here's how you do it: 1. Right-click the video source on the timeline, and choose Field Options from the pop-up menu. Premiere Pro will open the Field Options dialog box. 2. Select the Always Deinterlace radio button (Figure 83b).

Figure 83b Choose Always Deinterlace to deinterlace all frames in a clip bound for progressive streaming formats. 3. Click OK to close the dialog box and render your video.

Note
Selecting the Deinterlace checkbox in the Output tab of the Export Settings dialog box (Figure 83c) doesn't deinterlace the footage; you must deinterlace it on the timeline. The Export Settings preview screen does provide an accurate preview, however, so if your video isn't deinterlaced there (as shown in Figure 83c), the final file won't be deinterlaced either.

Figure 83c As you can see, selecting the Deinterlace checkbox doesn't resolve the problem, as the deinterlacing artifacts are still evident.

Deinterlacing Large Projects
If your project has multiple video files, or multiple sections of the same video file, you have to deinterlace each instance on the timeline. If your project includes hundreds of files on the timeline, it may be faster to output the entire project into one file in DV-AVI format, then deinterlace that file before outputting into your final format.

This article includes text and images excerpted from Adobe Digital Video How-Tos: 100 Essential Techniques with Adobe Production Studio by Jan Ozer. Copyright © 2007. Reprinted with permission from Pearson Education, Inc. and Adobe Press.

Author: Jan Ozer

Read article at Internet.com site

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